dc.creatorOrtiz Mosquera, Fidel Ernesto
dc.date.accessioned2023-06-08T14:00:25Z
dc.date.accessioned2023-08-10T14:12:11Z
dc.date.available2023-06-08T14:00:25Z
dc.date.available2023-08-10T14:12:11Z
dc.date.created2023-06-08T14:00:25Z
dc.date.issued2023
dc.identifier2602-8158
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/42060
dc.identifierhttps://publicaciones.ucuenca.edu.ec/ojs/index.php/revpos/article/view/4463
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8151915
dc.description.abstractThis academic article describes and analyzes two creative moments, carried out by the Laboratory of Contemporary Dance and Choreographic Composition of the University of Cuenca, Ecuador, in the context of the Covid-19 pandemic. In the analysis of these two temporal and procedural instances, it seeks to account for the transit between confinement and social isolation produced worldwide by the virus and the recovery of bodily mobility in public space, through improvisation tools and dance composition, to build an artistic experience that considered the subjectivities and contributions of the project participants, as a fundamental path in the generation of a scenic-visual-choreographic discourse, as well as reflection on such an experience; understanding that in artistic research thinking and doing are closely linked in the production of knowledge.
dc.languagees_ES
dc.sourceRevista de Investigación y Pedagogía del Arte
dc.subjectConfinement
dc.subjectPublic space
dc.subjectChoreographic composition
dc.subjectCovid-19
dc.subjectResearch creation
dc.titleVolver a habitar el espacio: la recuperación paulatina de la práctica dancística en un contexto pandémico
dc.typeARTÍCULO


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