La obra musical de Olivier Massiaen y su Inmanencia Teológica: Vingt Regards Sur L’Enfant-Jésus

dc.creatorAlvarado Delgado, Jannet Emperatriz
dc.date.accessioned2023-06-22T21:52:56Z
dc.date.accessioned2023-08-10T14:03:29Z
dc.date.available2023-06-22T21:52:56Z
dc.date.available2023-08-10T14:03:29Z
dc.date.created2023-06-22T21:52:56Z
dc.date.issued2013
dc.identifier0719-5389
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/42270
dc.identifierhttps://neuma.utalca.cl/index.php/neuma/article/view/128/126
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8151828
dc.description.abstractThis work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music
dc.languagees_ES
dc.sourceNeuma
dc.subjectOlivier Messiaen
dc.subjectverdad teológica a través de la música
dc.subjectritmos no retrogradables
dc.subjectmodos de transposición limitada
dc.subjectcompositores siglo XX
dc.titleLa obra musical de Olivier Massiaen y su Inmanencia Teológica: Vingt Regards Sur L’Enfant-Jésus
dc.typeARTÍCULO


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