dc.contributorTorres Palchisaca, Galo Alfredo
dc.creatorGómez Gómez, Mercy Alexandra
dc.date.accessioned2023-05-25T19:36:23Z
dc.date.accessioned2023-08-10T14:03:18Z
dc.date.available2023-05-25T19:36:23Z
dc.date.available2023-08-10T14:03:18Z
dc.date.created2023-05-25T19:36:23Z
dc.date.issued2023-05-25
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/41964
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8151826
dc.description.abstractThisstudytitled "Thesound and thegenre of comedy: studyappliedtothe short film Locura pastelera" as a general proposal, establishes and formulatestherelationshipsbetweensound and comic situationstoapplythemtothe short film Locura pastelera. Thetheoreticalframeworkismade up of theseauthors Silvia Marcé, Teresa Delgado, Marta Fuente: Thesoundtrack of ourlife, (2018); Music and sound in audiovisuals (2013), by Josep Gustems; Music and sound in audiovisuals (2012); The comic in the caricature: ananalysis of Bergson and Baudelaire (2012), by Paula Jessurum; Humor in the cinema (2009), by Lucio Mallada; and Thesoundimaginary of theAndalusianchildpopulation: musical analysis of «La Banda» (2010), by Almudena Ocaña and Luisa Reyes. Themethodforitsexecution has beenthat of creationresearch (Hernández Hernández, 2006, 13, 19 and 29; 2015; Carreño, 2014). Thepresence of sound in the comic short film Locura pastelera (2022), by Fabián Bravo isessentialtoachieveitscomedy, sincetheelements of thesoundtracksuch as: music, soundeffects, ambientsound and Foley; They are theoneswhohelpaccentuatethe humor.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTCA;134
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectCine
dc.subjectComedia
dc.subjectAudiovisuales
dc.titleEl sonido y género de comedia: estudio aplicado al cortometraje Locura pastelera
dc.typesubmittedVersion


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