| dc.description.abstract | The purpose of this research is the creation of a methodological proposal for the piano
accompaniment of the ballad musical genre; through variations of harmonic rhythmic
patterns, for intermediate level pianists and the systematization of the learning process for
piano accompaniment, presenting in a sequential and didactic way, the piano techniques
necessary to achieve this goal. This research presents a collection and analysis of 4 methods
of piano accompaniment as a methodological reference used for the teaching of
accompaniment at the piano and subsequent application in the methodological
systematization in the ballad musical genre. Subsequently, this investigation approach to all
the theoretical foundation about the ballad genre: definition, origin, structure, format, chords
and harmonic progressions more characteristic or usual in this genre. Next, an analysis and
exposition of the most common piano techniques for piano accompaniment is made: block chords, broken, and arpeggios, laying a basis for the development of accompaniment
patterns. Finally, with all the thematic reviewed before, harmonic rhythmic designs are
developed for the accompaniment on the piano, through a rhythmic design that will detail
how to build it through major, minor chords and then with harmonic progressions in major
and minor mode, it is applies in fragments of popular themes of the ballad genre, as a
complement also details the function of the accompaniment of the left hand in
accompaniment, when the right hand performs as a soloist. | |
