Si la poesía descarta el significado, se transforma en música”: entrevista al músico argentino Pablo Di Liscia

dc.creatorMolerio Rosa, Arleti Maria
dc.date.accessioned2023-07-18T20:03:50Z
dc.date.accessioned2023-08-10T13:58:56Z
dc.date.available2023-07-18T20:03:50Z
dc.date.available2023-08-10T13:58:56Z
dc.date.created2023-07-18T20:03:50Z
dc.date.issued2023
dc.identifier2602-8158
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/42430
dc.identifierhttps://publicaciones.ucuenca.edu.ec/ojs/index.php/revpos/article/view/4470/3440
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/8151763
dc.description.abstractThe present work publishes an interview held with the composer Pablo Di Liscia in August 2013, which served as the basis for a work of the same year on the aesthetic thought of this Argentine composer, whose work serves as a reference in areas of the spatialization of the sound, spectral analysis, composition, music technique and new technologies, as well as the development of software for sound, musical and compositional processes. In the interview, the composer addresses his position in relation to the creative process, teaching and research within composition; and topics related to the management of timbre, heights and spatiality.
dc.languagees_ES
dc.sourceRevista de Investigación y Pedagogía del Arte
dc.subjectTimbre
dc.subjectAltura
dc.subjectEspacialidad
dc.subjectPablo Di Liscia
dc.subjectComposición
dc.titleSi la poesía descarta el significado, se transforma en música”: entrevista al músico argentino Pablo Di Liscia
dc.typeARTÍCULO


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