Federico Moura y la disputa por la construcción de sentidos en torno a los cuerpos y los roles de género durante la última dictadura cívico militar y la transición democrática
Federico Moura and the dispute over the construction of meanings around bodies and gender roles during the last civic-military dictatorship and the democratic transition
dc.creator | Roig, Rocío | |
dc.date | 2021 | |
dc.date | 2021-11-03T16:31:25Z | |
dc.date.accessioned | 2023-07-15T03:58:57Z | |
dc.date.available | 2023-07-15T03:58:57Z | |
dc.identifier | http://sedici.unlp.edu.ar/handle/10915/127693 | |
dc.identifier | https://perio.unlp.edu.ar/ojs/index.php/actas/article/view/7067 | |
dc.identifier | issn:2469-0910 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/7467798 | |
dc.description | Para entender el rol que tuvo y lo que significó Federico Moura -más allá de su música- en la escena local argentina a partir de 1981, cuando comenzó con su banda Virus, es importante contextualizarlo en un tiempo y espacio determinado a partir de trabajos de investigación que anteceden a este y libros que sumaran un aporte al reflejo del acto discursivo del artista. Lo que sucedía con Virus -pero sobre todo con Federico Moura- tenía que ver con su aspecto y desenvoltura arriba del escenario. Muchos consideraban inadecuado que un “rockero” se permitiera vestir colores y bailar mientras las calles continuaban militarizadas. | |
dc.description | In order to understand the role that Federico Moura played and what he meant -beyond his music- in the local Argentinean music- in the Argentine local scene since 1981, when he started with his band Virus, it is important to contextualize him in a certain time and space from Virus, it is important to contextualize him in a certain time and space based on research works that preceded research works that precede this one and books that will add a contribution to the reflection of the discursive act of the reflection of the artist's discursive act. What was happening with Virus -but above all with Federico Moura - had to do with his appearance and poise on stage. Many considered it inappropriate that a "rocker" allowed himself to wear colors and dance while the streets continued to be militarized. | |
dc.description | Facultad de Periodismo y Comunicación Social | |
dc.format | application/pdf | |
dc.language | es | |
dc.rights | http://creativecommons.org/licenses/by-nc-sa/4.0/ | |
dc.rights | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) | |
dc.subject | Comunicación | |
dc.subject | Discursos | |
dc.subject | Sentidos | |
dc.subject | Cuerpo | |
dc.subject | Sexualidad | |
dc.subject | Dictadura militar | |
dc.subject | Masculinidades | |
dc.subject | Rock nacional | |
dc.subject | Discourses | |
dc.subject | Meanings | |
dc.subject | Body | |
dc.subject | Sexuality | |
dc.subject | Military dictatorship | |
dc.subject | Masculinities | |
dc.subject | National rock | |
dc.title | Federico Moura y la disputa por la construcción de sentidos en torno a los cuerpos y los roles de género durante la última dictadura cívico militar y la transición democrática | |
dc.title | Federico Moura and the dispute over the construction of meanings around bodies and gender roles during the last civic-military dictatorship and the democratic transition | |
dc.type | Articulo | |
dc.type | Articulo |