dc.creatorMatheus Trevizam
dc.date.accessioned2023-04-26T15:15:30Z
dc.date.accessioned2023-06-16T17:34:20Z
dc.date.available2023-04-26T15:15:30Z
dc.date.available2023-06-16T17:34:20Z
dc.date.created2023-04-26T15:15:30Z
dc.date.issued2020
dc.identifierhttps://doi.org/10.26770/phoinix.v26.1n06
dc.identifier2527-225X
dc.identifierhttp://hdl.handle.net/1843/52506
dc.identifierhttps://orcid.org/0000-0002-1744-3380
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6686211
dc.description.abstractIn this article, we intend to focus on the aspect of “polyphony” (here understood as a variety of “voices”) in the Aetna, a didactic poem written at the beginning of the Roman Imperial Period. Following analyses that have shown Stoic and Epicurean elements in this work, we try to demonstrate that its philosophical texture is not homogeneous. We also comment on the issue of how “polyphony” is reflected in the images concerning the gods.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFALE - FACULDADE DE LETRAS
dc.publisherUFMG
dc.relationPhoînix
dc.rightsAcesso Aberto
dc.subjectPolifonia
dc.subjectPoesia didática
dc.subjectEpicurismo
dc.subjectEstoicismo
dc.subjectDeuses
dc.titlePolifonia em Aetna, poema didático romano
dc.typeArtigo de Periódico


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