Absolutamente outro: dandismo & melancolia

dc.creatorAngélica Oliveira Adverse
dc.date.accessioned2023-05-11T21:18:15Z
dc.date.accessioned2023-06-16T17:24:47Z
dc.date.available2023-05-11T21:18:15Z
dc.date.available2023-06-16T17:24:47Z
dc.date.created2023-05-11T21:18:15Z
dc.date.issued2019-06-06
dc.identifierhttps://doi.org/10.5965/2175234611242019099
dc.identifier2175-2346
dc.identifierhttp://hdl.handle.net/1843/53144
dc.identifierhttp://orcid.org/0000-0002-8938-8819
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6685692
dc.description.abstractThe purpose of this article is to think how dandyism can be understood as a manifestation of the artist’s autofiction. We intend to analyze the duplication of being as an expression of the melancholic mood and symptom of the genius of exception in modernity. It is intended to present as a transfiguration of work in an intermittent cycle of self-destruction and self-creation, in question the finitude of life and the infinity of art.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherEBA - DEPARTAMENTO DE DESENHO
dc.publisherEBA - ESCOLA DE BELAS ARTES
dc.publisherUFMG
dc.relationPalíndromo
dc.rightsAcesso Aberto
dc.subjectDandismo
dc.subjectMelancolia
dc.subjectAbsoluto
dc.subjectOutro
dc.subjectFinitude
dc.titleAbsolutamente outro: dandismo & melancolia
dc.typeArtigo de Periódico


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