História da música sertaneja : tradição e modernidade

dc.contributorJoão Pinto Furtado
dc.contributorhttp://lattes.cnpq.br/3254989517114700
dc.creatorCarlos Martins Ventura
dc.date.accessioned2023-06-11T00:45:44Z
dc.date.accessioned2023-06-16T16:58:17Z
dc.date.available2023-06-11T00:45:44Z
dc.date.available2023-06-16T16:58:17Z
dc.date.created2023-06-11T00:45:44Z
dc.date.issued2010-12-23
dc.identifierhttp://hdl.handle.net/1843/54741
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6684183
dc.description.abstractThis article attempts to show a little story about country music, emphasizing the clash of cultures and urban country music, traditional and modern. There is a short discussion on the issue of identity of the backcountry, as well as an analysis of the musical production hinterland in large urban centers in an attempt to rescue the culture of the hinterland that are in those urban centers and/or people who somehow has an affinity for country music.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFAF - DEPARTAMENTO DE HISTÓRIA
dc.publisherCurso de Especialização em História da Cultura e da Arte
dc.publisherUFMG
dc.rightsAcesso Aberto
dc.subjectMúsica sertaneja
dc.subjectQuestão identitária
dc.subjectCultura sertaneja
dc.titleHistória da música sertaneja : tradição e modernidade
dc.typeMonografia (especialização)


Este ítem pertenece a la siguiente institución