Brasil
| Artigo de Periódico
Avatares da peça bem-feita na dramaturgia brasileira contemporânea
dc.creator | Stephan Arnulf Baumgartel | |
dc.creator | Elen de Medeiros | |
dc.creator | João Sanches | |
dc.date.accessioned | 2023-05-31T22:30:45Z | |
dc.date.accessioned | 2023-06-16T16:02:41Z | |
dc.date.available | 2023-05-31T22:30:45Z | |
dc.date.available | 2023-06-16T16:02:41Z | |
dc.date.created | 2023-05-31T22:30:45Z | |
dc.date.issued | 2019-01-12 | |
dc.identifier | https://doi.org/10.22456/2236-3254.88658 | |
dc.identifier | 2236-3254 | |
dc.identifier | http://hdl.handle.net/1843/54283 | |
dc.identifier | https://orcid.org/0000-0003-1281-2092 | |
dc.identifier | https://orcid.org/0000-0002-7769-1108 | |
dc.identifier | https://orcid.org/0000-0002-4953-4770 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/6681072 | |
dc.description.abstract | By analysing the work of three contemporary Brazilian playwrights, Vinícius Calderoni, Jô Bilac and João Sanches, we set out to recognize in contemporary Brazilian playwriting new avatars of the well-made play. To do so, we start by describing the formal and ideological pattern inscribed in this kind of playwriting in the 19th century, in order to establish a comparison with some texts of Brazilian dramaturgy in the 21st century. | |
dc.publisher | Universidade Federal de Minas Gerais | |
dc.publisher | Brasil | |
dc.publisher | FALE - FACULDADE DE LETRAS | |
dc.publisher | UFMG | |
dc.relation | Revista Cena | |
dc.rights | Acesso Aberto | |
dc.subject | Teatro brasileiro contemporâneo | |
dc.subject | Dramaturgia brasileira | |
dc.subject | Peça bem-feita | |
dc.title | Avatares da peça bem-feita na dramaturgia brasileira contemporânea | |
dc.type | Artigo de Periódico |