Brasil | Artigo de Periódico
dc.creatorStephan Arnulf Baumgartel
dc.creatorElen de Medeiros
dc.creatorJoão Sanches
dc.date.accessioned2023-05-31T22:30:45Z
dc.date.accessioned2023-06-16T16:02:41Z
dc.date.available2023-05-31T22:30:45Z
dc.date.available2023-06-16T16:02:41Z
dc.date.created2023-05-31T22:30:45Z
dc.date.issued2019-01-12
dc.identifierhttps://doi.org/10.22456/2236-3254.88658
dc.identifier2236-3254
dc.identifierhttp://hdl.handle.net/1843/54283
dc.identifierhttps://orcid.org/0000-0003-1281-2092
dc.identifierhttps://orcid.org/0000-0002-7769-1108
dc.identifierhttps://orcid.org/0000-0002-4953-4770
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6681072
dc.description.abstractBy analysing the work of three contemporary Brazilian playwrights, Vinícius Calderoni, Jô Bilac and João Sanches, we set out to recognize in contemporary Brazilian playwriting new avatars of the well-made play. To do so, we start by describing the formal and ideological pattern inscribed in this kind of playwriting in the 19th century, in order to establish a comparison with some texts of Brazilian dramaturgy in the 21st century.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFALE - FACULDADE DE LETRAS
dc.publisherUFMG
dc.relationRevista Cena
dc.rightsAcesso Aberto
dc.subjectTeatro brasileiro contemporâneo
dc.subjectDramaturgia brasileira
dc.subjectPeça bem-feita
dc.titleAvatares da peça bem-feita na dramaturgia brasileira contemporânea
dc.typeArtigo de Periódico


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