dc.creatorMarcus Vinicius de Freitas
dc.date.accessioned2022-12-13T11:41:18Z
dc.date.accessioned2023-06-16T15:49:16Z
dc.date.available2022-12-13T11:41:18Z
dc.date.available2023-06-16T15:49:16Z
dc.date.created2022-12-13T11:41:18Z
dc.date.issued2019
dc.identifierhttps://doi.org/10.17851/2317-2096.29.3.21-38
dc.identifier2317-2096
dc.identifierhttp://hdl.handle.net/1843/47895
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6680302
dc.description.abstractThis article aims at analyzing the internal development of Literary Theory as a discipline and its connection with the anti-human perspective of Modern Arts, concept once proposed by the Spanish philosopher Ortega Y Gasset. Such an anti-human perspective can be traced back in the German philosophy of the late 19th and early 20th centuries, especially among authors such as Nietzsche and Heidegger, as well as in its development towards a postmodern French philosophy, as practiced by Michel Foucault and Jacques Derrida. The article brings together a variety of philosophers, sociologists and literary critics who appraise the anti-human trend, notably Luc Ferry and Alain Renaut, Roger Scruton, Eric Voegelin, Daniel Bell, José Guilherme Merquior, Raymond Tallis and Tzvetan Todorov, among others, in order to discuss the role of Literary Theory as part of Humanities, now understood as Inhumanities.
dc.publisherUniversidade Federal de Minas Gerais
dc.publisherBrasil
dc.publisherFALE - FACULDADE DE LETRAS
dc.publisherUFMG
dc.relationAletria: revista de estudos de literatura
dc.rightsAcesso Aberto
dc.subjectTeoria da literatura
dc.subjectPós-modernismo
dc.subjectAnti-humanismo
dc.titleA teoria da literatura e as desumanidades
dc.typeArtigo de Periódico


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