Cuestiones de método creativo : metamorfosis y conciencia material en los procesos creativos en arquitectura.

dc.creatorRueda-Plata, Carlos Iván
dc.date.accessioned2014-07-01 00:00:00
dc.date.accessioned2023-01-23T16:02:00Z
dc.date.available2014-07-01 00:00:00
dc.date.available2023-01-23T16:02:00Z
dc.date.created2014-07-01 00:00:00
dc.date.created2023-01-23T16:02:00Z
dc.date.issued2014-07-01
dc.identifier10.14718/RevArq.2014.16.7
dc.identifier2357-626X
dc.identifier1657-0308
dc.identifierhttps://hdl.handle.net/10983/28598
dc.identifierhttps://doi.org/10.14718/RevArq.2014.16.7
dc.description.abstractAl indagar en el arte poética, la fenomenología y los estudios en teoría del hacer tecnológico, este artículo busca acercar los procesos creativos en arquitectura a su esencia imaginativa. Se presentan asuntos de método creativo siguiendo una secuencia discursiva encadenada, cuya hipótesis demostrativa inicia con la idea de que crear arquitectura es hacer lugar: sea construida, mediada electrónicamente o "de papel". Se demuestra que los conceptos de lugar y poesía son análogos, trayendo fuentes del ámbito literario y la fenomenología. Seguidamente, se exploran procesos poéticos de la imaginación (metáfora y metamorfosis), ofreciendo ejemplos arquitectónicos agrupados en tres categorías en las que una conciencia material se hace presente en forma de metamorfosis. El desarrollo del estudio comprendió construir un marco interpretativo comparando autores y textos de diverso origen disciplinar desde una situación interpretativa hermenéutica específica de la arquitectura para luego aplicar el constructo conceptual resultante al análisis de obras arquitectónicas, llegando a conclusiones demostrativas.
dc.description.abstractBy inquiring in the art of poetry, phenomenology and studies on technological making, this article attempts to bring creative processes in architecture closer to its imaginative essence. It presents questions of creative method following a discursive sequence whose demonstrative hypothesis departs from the idea that making architecture is place—making, whether it is: built, electronically mediated or "paper architecture." The article demonstrates that the concepts of place and poetry are analogous, by bridging from the literary and phenomenological fields. Processes of poetic imagination (metaphor and metamorphosis) subsequently are explored and exemplified with architectural works, grouped in three categories according to distinctive ways in which material imagination makes presence as metamorphosis. Developing this study required building a theoretical frame from a hermeneutic interpretative situation specific to architecture, and then applying the resulting conceptual construct to the analysis of architectural works, drawing demonstrative conclusions.
dc.languagespa
dc.publisherUniversidad Católica de Colombia
dc.relationhttps://revistadearquitectura.ucatolica.edu.co/article/download/58/135
dc.relationhttps://revistadearquitectura.ucatolica.edu.co/article/download/58/898
dc.relationNúm. 1 , Año 2014 : Enero - diciembre
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dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightshttp://purl.org/coar/access_right/c_abf2
dc.rightshttps://creativecommons.org/licenses/by-nc-sa/4.0/
dc.rightsCarlos Iván Rueda Plata - 2014
dc.sourcehttps://revistadearquitectura.ucatolica.edu.co/article/view/58
dc.subjectImagination
dc.subjectPhenomenology of place
dc.subjectMetaphor
dc.subjectPoetry
dc.subjectArchitecture theory and criticism
dc.subjectImaginación
dc.subjectFenomenología del lugar
dc.subjectMetáfora
dc.subjectPoesía
dc.subjectTeoría y crítica de la arquitectura
dc.titleCuestiones de método creativo : metamorfosis y conciencia material en los procesos creativos en arquitectura.
dc.typeArtículo de revista


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