dc.contributor | Bustos Criollo, Jéssica Cristina | |
dc.creator | González González, Jonathan Xavier | |
dc.date.accessioned | 2023-04-24T14:43:00Z | |
dc.date.accessioned | 2023-05-22T16:55:24Z | |
dc.date.available | 2023-04-24T14:43:00Z | |
dc.date.available | 2023-05-22T16:55:24Z | |
dc.date.created | 2023-04-24T14:43:00Z | |
dc.date.issued | 2023-04-20 | |
dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/41745 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/6327456 | |
dc.description.abstract | This research is a study of the clown and some of its principles and tools in order to reveal its
language and use it to create scenic works. Based on the chairs of the Laboratory of Creation
and Assembly I, II and III of the Dance - Theater career of the University of Cuenca, a method
of theatrical and dance composition has been developed that seeks to create stage
experiences through the use of language of the clown, works that can relate to the viewer in
the same way that a clown does, resulting in the works: Cuando las palabras sobran, Yerma
O y Una Flor Amarilla, presented between 2019 and 2022 for artists and the general public. | |
dc.language | spa | |
dc.publisher | Universidad de Cuenca | |
dc.relation | TAE;91 | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | openAccess | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | |
dc.subject | Artes Escénicas | |
dc.subject | Obra artística | |
dc.subject | Comedia | |
dc.subject | Creatividad | |
dc.title | El lenguaje del clown como método de creación de experiencias escénicas | |
dc.type | bachelorThesis | |