dc.contributorBustos Criollo, Jéssica Cristina
dc.creatorGonzález González, Jonathan Xavier
dc.date.accessioned2023-04-24T14:43:00Z
dc.date.accessioned2023-05-22T16:55:24Z
dc.date.available2023-04-24T14:43:00Z
dc.date.available2023-05-22T16:55:24Z
dc.date.created2023-04-24T14:43:00Z
dc.date.issued2023-04-20
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/41745
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6327456
dc.description.abstractThis research is a study of the clown and some of its principles and tools in order to reveal its language and use it to create scenic works. Based on the chairs of the Laboratory of Creation and Assembly I, II and III of the Dance - Theater career of the University of Cuenca, a method of theatrical and dance composition has been developed that seeks to create stage experiences through the use of language of the clown, works that can relate to the viewer in the same way that a clown does, resulting in the works: Cuando las palabras sobran, Yerma O y Una Flor Amarilla, presented between 2019 and 2022 for artists and the general public.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTAE;91
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectArtes Escénicas
dc.subjectObra artística
dc.subjectComedia
dc.subjectCreatividad
dc.titleEl lenguaje del clown como método de creación de experiencias escénicas
dc.typebachelorThesis


Este ítem pertenece a la siguiente institución