Mapeo sensorial, acontecimiento escénico sensorial no visual construido a partir del concepto de experiencia estética como experiencia umbral de Erika Fischer-Lichte

Abstract

In this thesis, the theoretical concepts of scenic event and aesthetic experience as a threshold experience established by Erika Fischer-Lichte will be established and developed, and how they dialogue with the concept of sensory perception established by Antonio Damásio, where he explains that this perception is an undeniable biological process for the construction of a new experience. Necessary concepts as background to analyze and systematize the process of creating the scenic event called Sensory Mapping. The process of creating the scenic event will be analyzed and systematized, its roots from the somatic practice that I went through, and the experience that the spectators had in the Stage Direction exercise called The Divine Proportion. It also establishes the definition of Sensory Mapping, my threshold experience with blind people, the construction of the non-visual sensory game and various aesthetic experiences of the spectators when being part of the event. And it concludes by highlighting the importance of this stage event as a fact that needs to be lived in a present time so that the aesthetic experience can exist.