dc.contributorUrgilés Cárdenas, José Eduardo
dc.creatorBanegas Sanmartin, Luis Ismael
dc.date.accessioned2023-05-09T19:13:50Z
dc.date.accessioned2023-05-22T16:49:14Z
dc.date.available2023-05-09T19:13:50Z
dc.date.available2023-05-22T16:49:14Z
dc.date.created2023-05-09T19:13:50Z
dc.date.issued2023-05-08
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/41859
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6327130
dc.description.abstractThis project is driven by the needs that musicians face when staging a concert. Recitals as a means of disseminating music requires certain knowledge and previous work, when sound reinforcement is needed, therefore it is a project focused on the elaboration of a practical sound reinforcement guide for the production of sound for musical ensembles, with a series of necessary techniques that deal with musicians' requirements, sound system settings and some elements for mixing. The methodology developed was through qualitative textual analysis with bibliographic review and a quantitative methodology, since information related to the topic was sought and programs were used to analyze the sound spectrum, take and compare samples in order to obtain adequate results. The results achieved show that establishing, following processes facilitate and lighten the work in a concert, with the application of tools and knowledge you can achieve harmonious work between musicians and sound technicians in order to obtain efficiency and quality concerts.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTMUS;209
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectArtes Musicales
dc.subjectVibración
dc.subjectCalibración
dc.subjectSonido
dc.titleGuía práctica para producción de refuerzo sonoro para ensambles
dc.typebachelorThesis


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