dc.contributorGalarza Neira, María Teresa
dc.creatorCarrión Marín, María Eugenia
dc.creatorQuimis Gutiérrez, José Antonio
dc.creatorAyala Camacho, Mariel Rosalía
dc.date.accessioned2022-11-14T20:15:02Z
dc.date.accessioned2023-05-22T16:34:44Z
dc.date.available2022-11-14T20:15:02Z
dc.date.available2023-05-22T16:34:44Z
dc.date.created2022-11-14T20:15:02Z
dc.date.issued2022-11-10
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/40222
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6326347
dc.description.abstractThe film project of the short film La última casa has two textual components: the production folder and the individual essays by area, and a third audiovisual component, which is the short film. And from this, the analytical essays that theoretically support the proposals corresponding to the areas of Production, Direction, and Sound. These essays are entitled respectively: Strategies to minimize the cost of the production of the short film The La última casa; Spatiality and mise-en-scène in the directing of the short film La última casa; and, Sound effects: narration and subtext in the film project La última casa. Through this research, each of the proposals in the specified areas, applied in the making of the short film, which is presented as the third component of our project, are supported. We hope to contribute to the study of audiovisual production, film direction and sound direction in the reflection of national film theory.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTCA;119
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectCine
dc.subjectAudiovisuales
dc.subjectSonido
dc.titleRealización, exhibición y reflexión teórica del cortometraje. La última casa
dc.typebachelorThesis


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