Construcción de un estado corporal con objetos, en el montaje escénico Leviatán a partir del principio de domesticación de Tadeusz Kantor

Abstract

The documentation of the work is divided into three categories; First, the object on stage. Where the theories and methods applied in the genealogical advance of the Object Theater are analyzed. In the second part, The dramatic tension with the object. It analyzes the composition; it is based on the order in which a scene can be intervened with the different elements that the director faces. Finally, the practical work of the play is described. The actor in his scenes exchanges a relation of sequences based on the methodology analyzed in the previous chapters. The development of dramatic tension is described for the scenes in turn as the principle of domestication developed by Tadeusz Kantor influences the relationship of coexistence of the elements of the scene. The object represents a confrontation for the character, which serves as a guide for the dramaturgy of the play.