| dc.description.abstract | In the research titled The symbology on stage to represent the character's psychology in the
short film Hostilidad considers the study of symbolic objects as elements of the scenery and
complementary narrative resources of Vanessa as the main character, who lives in a state of
sadness and fear in her relationship. To achieve this goal, we will base ourselves on the
theoretical concepts established by various authors (LoBrutto, 2002; Tamayo & Hendrickx,
2016; Avendaño; Gentile, Díaz & Ferrari, 2007; etc.), and the three film analyzes of works
focused on our topics of interest, such as: El Castillo de la Pureza (1972), by Arturo Ripstein;
The Milk of Sorrow (2009), by Claudia Llosa, and Midsommar (2019), by Ari Aster. At the
end, we will present the art proposal for the short film and a sample of the results obtained
after applying what was studied. For its part, the methodology for this research is qualitative,
research-creation. Consequently, it is expected that this work would be a new and favorable
contribution to the theoretical field of national cinema. | |
