dc.contributorZavala Lasso, René Patricio
dc.creatorRubio Gómez, Juan Paulo
dc.date.accessioned2023-03-08T14:46:07Z
dc.date.accessioned2023-05-22T16:31:25Z
dc.date.available2023-03-08T14:46:07Z
dc.date.available2023-05-22T16:31:25Z
dc.date.created2023-03-08T14:46:07Z
dc.date.issued2023-03-06
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/41376
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6326165
dc.description.abstractThis research investigates the possibilities of the object-memory and its method of use for the construction of a one-woman show, through the description of the methodology of creation of the play Carmen, as well as all the elements that compose it, in addition to a deep investigation on the sensitivities that surround the actor, as well as his social and personal context.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTAE;82
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectArtes Escénicas
dc.subjectCreación artística
dc.subjectAutorreconocimiento
dc.subjectMontajes
dc.titleIndagación del objeto-memoria como herramienta del unipersonal, para la construcción de la obra Carmen
dc.typebachelorThesis


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