| dc.description.abstract | This research aimed to analyze different discursive forms of narrative production about quilombos in Brazil, for that it related the means of production, contexts and practices of thought about black quilombola identity today. Thus he focused on what was conditioned by the author, such as the three central means of analytical quilombo construction: historiography, anthropology, and politics. Institutional contexts and power games that promote the discursive construction of truths in historical, anthropological and political research on quilombola movements. At the same time that it developed its analysis, the work also sought to introduce theoretical questions to the research in history, from the philosophy of complexity and the methodology of discursive analysis. Thus, he proposed a disruptive analysis of the traditional means of textual construction in history. As a means of communicating and analyzing the selected discursive forms, it was used in this research, the art of comic books. Therefore, the graphic novel produced in this Thesis was conceived as the main way of communicating the analysis developed by the research. It is not only meant to 'illustrate' the analysis, but is the technological means of its expression. | |
