Os elementos sonoros em Star Wars: usos e apontamentos

dc.contributorPolidoro, Bruno Bortoluz
dc.creatorMatzenbacher, Pedro Steigleder
dc.date.accessioned2021-11-30T17:25:46Z
dc.date.accessioned2022-09-22T19:47:19Z
dc.date.accessioned2023-03-13T20:05:02Z
dc.date.available2021-11-30T17:25:46Z
dc.date.available2022-09-22T19:47:19Z
dc.date.available2023-03-13T20:05:02Z
dc.date.created2021-11-30T17:25:46Z
dc.date.created2022-09-22T19:47:19Z
dc.date.issued2011-01-01
dc.identifierhttps://hdl.handle.net/20.500.12032/64994
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6165148
dc.description.abstractThis study intends to potentiate the sound effect on the cinematographic narrative. Though this sound segment is rarely explored by the naturalistic style, it is, on the other hand, wisely used on the six movies of Star Wars, by George Lucas. Based on these six movies, the performance of the sound designer Ben Burtt will be presented and so will be the way his work was enabled to be introduced in the cultural imaginary. This article also seeks to clarify some resources of the sound discourse, as well as the methods to transcend it. Concepts of authors like Michel Chion, Jacques Aumont, Ismail Xavier, Serguei Eisenstein, Theodor W. Adorno and Max Horkheimer will be presented.
dc.publisherUniversidade do Vale do Rio dos Sinos
dc.subjectCinema
dc.subjectStar Wars
dc.titleOs elementos sonoros em Star Wars: usos e apontamentos
dc.typeTCC


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