dc.contributorBonin, Jiani Adriana
dc.creatorSilva, Dafne Reis Pedroso da
dc.date.accessioned2015-03-05T18:25:03Z
dc.date.accessioned2022-09-09T21:21:30Z
dc.date.accessioned2023-03-13T19:52:05Z
dc.date.available2015-03-05T18:25:03Z
dc.date.available2022-09-09T21:21:30Z
dc.date.available2023-03-13T19:52:05Z
dc.date.created2015-03-05T18:25:03Z
dc.date.created2022-09-09T21:21:30Z
dc.date.issued2009-03-04
dc.identifierhttp://148.201.128.228:8080/xmlui/handle/20.500.12032/30907
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/6161698
dc.description.abstractThe general aim of this research was to investigate the process of receiving the itinerant film exhibitions organized by Lanterninha Aurélio film club and to understand the meanings, uses and appropriations that the audience apprehended about the exhibition and the mediations that establish them. Thinking about the investigation of this specific problem/object, I worked with the concepts of midiatization and film midiatization and with the development of these processes in Brazilian context, considering the film clubs activities and the itinerant film sessions practices. For that purpose, I articulate some theoretical perspectives for understanding the reception using some concepts as reception, mediation, consumption, media appropriation and film reception. About my methodological strategies, I conducted systematic interviews with six persons of itinerant film sessions and with five members of film clubs. From a multi-methodological point of view, I prepare a set of methodological procedures that included cl
dc.publisherUniversidade do Vale do Rio do Sinos
dc.rightsopenAccess
dc.subjectcineclubismo
dc.subjectfilm clubs
dc.titleHoje tem cinema: a recepção de mostras itinerantes organizadas pelo Cineclube Lanterninha Aurélio
dc.typeDissertação


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