Spanish Cinema 1973-2010: auteurism, politics, scenery and remembrance

dc.creatorPérez-Guerrero, Ana María (1)
dc.date.accessioned2017-09-27T20:51:39Z
dc.date.accessioned2023-03-07T19:14:03Z
dc.date.available2017-09-27T20:51:39Z
dc.date.available2023-03-07T19:14:03Z
dc.date.created2017-09-27T20:51:39Z
dc.identifier1465-3451
dc.identifierhttps://reunir.unir.net/handle/123456789/5592
dc.identifierhttp://dx.doi.org/10.1080/01439685.2013.872476
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5900360
dc.description.abstractWhile other scholars note the emphasis on Christian values in these films, McGregor argues more pointedly that the morals they depict illustrate and reinforce Catholicism in particular. The censorship efforts by the Legion of Decency and the PCA supported specific tenets of the Catholic faith, according to McGregor.
dc.languageeng
dc.publisherHistorical Journal of Film Radio and Television
dc.relation;vol. 34, nº 1
dc.relationhttp://www.tandfonline.com/doi/abs/10.1080/01439685.2013.872476
dc.rightsrestrictedAccess
dc.subjectWOS
dc.titleSpanish Cinema 1973-2010: auteurism, politics, scenery and remembrance
dc.typeArticulo Revista Indexada


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