Um ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.date.accessioned2022-04-29T07:26:36Z
dc.date.accessioned2022-12-20T02:34:31Z
dc.date.available2022-04-29T07:26:36Z
dc.date.available2022-12-20T02:34:31Z
dc.date.created2022-04-29T07:26:36Z
dc.date.issued2015-10-01
dc.identifierActa Scientiarum Language and Culture, v. 37, n. 4, p. 413-421, 2015.
dc.identifier1983-4683
dc.identifier1983-4675
dc.identifierhttp://hdl.handle.net/11449/228087
dc.identifier10.4025/actascilangcult.v37i4.27108
dc.identifier2-s2.0-84951126316
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5408222
dc.description.abstractIn this paper, we investigate the theory of art that subsidizes Michel Foucault's work and we analyze some aesthetic and historical aspects of anatomical disproportions in European painting. From the essay The words and images of Michel Foucault, it is possible to visualize the analytical method of Erwin Panofsky. The influence of the art historian on the French philosopher is evident in the phase of 'iconological interpretation' proposed by Panofsky, in which the cultural symptomatology finds its notorious place. This symptomatology is searched in the analysis we conducted on three European artists: Peter Paul Rubens, Sandro Botticelli and Jean-Auguste Dominique Ingres.
dc.languagepor
dc.relationActa Scientiarum Language and Culture
dc.sourceScopus
dc.subjectBody
dc.subjectDiscourse
dc.subjectErwin panofsky
dc.subjectMichel Foucault
dc.subjectPainting
dc.titleUm ensaio de análise iconográfica: laços entre a teoria da arte e o método arqueológico
dc.typeArtículos de revistas


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