Fr. José Maurício: The individuality of his prosodic solutions

Pe. José Maurício: a individualidade de suas soluções prosódicas

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.date.accessioned2022-04-28T19:28:06Z
dc.date.accessioned2022-12-20T01:11:01Z
dc.date.available2022-04-28T19:28:06Z
dc.date.available2022-12-20T01:11:01Z
dc.date.created2022-04-28T19:28:06Z
dc.date.issued2019-01-01
dc.identifierPer Musi, v. 39.
dc.identifier2317-6377
dc.identifier1517-7599
dc.identifierhttp://hdl.handle.net/11449/221391
dc.identifier10.35699/2317-6377.2019.5304
dc.identifier2-s2.0-85074405857
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5401520
dc.description.abstractWe started with the systematic relation between prosodic accents and dissonant chords, discovered in a small choral music work of Fr. José Maurício Nunes Garcia, composed at his initial phase. We looked for this procedure on his choral works of the period, comparing them with other composers’ works of the same time who were working in Brazil. Finally, we tried to find the continuity of his interest for prosody, in two of his most important works, composed in later moments.
dc.languagepor
dc.relationPer Musi
dc.sourceScopus
dc.subjectJosé Maurício Nunes Garcia
dc.subjectLuso-brazilian colonial music
dc.subjectMusical prosody
dc.subjectSacred music
dc.titleFr. José Maurício: The individuality of his prosodic solutions
dc.titlePe. José Maurício: a individualidade de suas soluções prosódicas
dc.typeArtículos de revistas


Este ítem pertenece a la siguiente institución