dc.contributorUniversidade Estadual Paulista (UNESP)
dc.date.accessioned2022-04-28T17:21:16Z
dc.date.accessioned2022-12-20T00:36:21Z
dc.date.available2022-04-28T17:21:16Z
dc.date.available2022-12-20T00:36:21Z
dc.date.created2022-04-28T17:21:16Z
dc.date.issued2021-09-01
dc.identifierUrdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 2, n. 41, 25 p., 2021.
dc.identifier1414-5731
dc.identifierhttp://hdl.handle.net/11449/218475
dc.identifier10.5965/1414573102412021e0111
dc.identifierWOS:000740714600008
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5398609
dc.description.abstractThis article aims to analyze the position occupied by actors and musicians in the production system of ancient Greek tragic spectacle, inside and outside the scene, in the interval between the 5th century BC and the 2nd century BC. For that, a trajectory was proposed that starts from tragedy as an activity limited to the families of the Athenian elite, passes through the emergence of a job market for actors, through the consolidation of a star system, until arriving at the organization of associations of artists of Dionysus. As representative of this path, the images of Sophocles, Kallipides, Neoptolemus and Kraton were evoked.
dc.languagepor
dc.publisherUniv Estado Santa Catarina-udesc
dc.relationUrdimento-revista De Estudos Em Artes Cenicas
dc.sourceWeb of Science
dc.subjectHistory of Theater
dc.subjectGreek Tragedy
dc.subjectActor
dc.subjectMusician
dc.titleArtists of Dionysus: Actors and musicians in ancient Greek tragedy
dc.typeArtículos de revistas


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