FIGURATIONS OF MASCULINITY IN THE WILD PALMS, BY WILLIAM FAULKNER

dc.contributorUniversidade Estadual Paulista (UNESP)
dc.contributorUniversidade Federal de São Carlos (UFSCar)
dc.date.accessioned2022-04-28T17:21:12Z
dc.date.accessioned2022-12-20T00:36:09Z
dc.date.available2022-04-28T17:21:12Z
dc.date.available2022-12-20T00:36:09Z
dc.date.created2022-04-28T17:21:12Z
dc.date.issued2020-07-01
dc.identifierIpotesi-revista De Estudos Literarios. Juiz De Fora: Univ Federal Juiz Fora, Campus Univ, v. 24, n. 2, p. 31-41, 2020.
dc.identifier1415-2525
dc.identifierhttp://hdl.handle.net/11449/218461
dc.identifierWOS:000737888900006
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5398595
dc.description.abstractThis article aims to analyze the representations of masculinities in the narrative The wild palms, by William Faulkner, which integrates the novel of the same name, published in 1939. Through a theoretical and critical framework based on gender studies and men's studies - particularly the assumptions of Raewyn Connell (2005), Michael Kimmel (1998) and Eve Kosofsky Sedgwick (1985), we intend to analyze the way in which the character Harry Wilbourne dramatizes and performs a masculinity that move away from the hegemonic perimeter, thus making it possible to question predetermined and evaluative parameters of masculinity in the social dynamics of genders.
dc.languagepor
dc.publisherUniv Federal Juiz Fora, Campus Univ
dc.relationIpotesi-revista De Estudos Literarios
dc.sourceWeb of Science
dc.subjectGender
dc.subjectMasculinities
dc.subjectThe wild palms
dc.subjectWilliam Faulkner
dc.titleFIGURATIONS OF MASCULINITY IN THE WILD PALMS, BY WILLIAM FAULKNER
dc.typeArtículos de revistas


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