dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2021-06-25T23:35:38Z
dc.date.accessioned2022-12-19T23:06:56Z
dc.date.available2021-06-25T23:35:38Z
dc.date.available2022-12-19T23:06:56Z
dc.date.created2021-06-25T23:35:38Z
dc.date.issued2020-09-01
dc.identifierRevista Da Anpoll. Brasilia: Assoc Nac Pos-graduacao Pesquisa Letras & Linguistica, v. 51, n. 3, p. 129-137, 2020.
dc.identifier1414-7564
dc.identifierhttp://hdl.handle.net/11449/210614
dc.identifier10.18309/anp.v51i3.1458
dc.identifierWOS:000605286100013
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5391215
dc.description.abstractThis paper tries to characterize the narrator's voice in the novel S. Bernardo by Graciliano Ramos, as a critical conscience which accompanies and evaluates fictional facts, presenting himself as an intellectual. Either in a direct way, as a narrator or character, or in the various forms of focalization, that figure is found out in all great literature and tends to create an instance which reflects on the subject of the narration, aiming at discussing historical, social, political issues broached in the novel. His exam opens perspectives for understanding the represented sociopolitical context and the way of learning the topics broached by the author. In Brazil, the presence of the intellectual may be observed in classic writers' works such as Machado de Assis, Lima Barreto, Mario de Andrade, Graciliano Ramos, Cyro dos Anjos, but his configuration takes on a particular interest in novels which express yearnings for social and political changes, like the ones published in the 1930s.
dc.languagepor
dc.publisherAssoc Nac Pos-graduacao Pesquisa Letras & Linguistica
dc.relationRevista Da Anpoll
dc.sourceWeb of Science
dc.subjectThe representation of the intellectual
dc.subjectS.Bernardo
dc.subjectGraciliano Ramos
dc.subjectnovel of 1930s
dc.subjectLiterature and history
dc.titleINTELLECTUAL CONFIGURATION IN THE NOVEL S. BERNARDO
dc.typeArtículos de revistas


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