Maximilian Kolbe on the stage: the problematics of witness in Maximilian Kolbe: martyr of charity and The birds of the night

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.contributorUNISAGRADO Ctr Univ Sagrad Coracao Letras
dc.date.accessioned2020-12-10T17:28:44Z
dc.date.accessioned2022-12-19T20:02:22Z
dc.date.available2020-12-10T17:28:44Z
dc.date.available2022-12-19T20:02:22Z
dc.date.created2020-12-10T17:28:44Z
dc.date.issued2019-07-01
dc.identifierItinerarios-revista De Literatura. Araraquara: Univ Estadual Paulista-unesp, n. 49, p. 47-62, 2019.
dc.identifier0103-815X
dc.identifierhttp://hdl.handle.net/11449/195262
dc.identifierWOS:000520847100004
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5375899
dc.description.abstractThe martyrdom of Franciscan priest Maximilian Kolbe, assassinated in the Nazi concentration camp in Auschwitz, is represented in the Polish film Maximilian Kolbe: martyr of charity (1991) and in the Brazilian play The birds of the night (1968). Therefore and according to Giorgio Agamben 's reflections on the concept of witness, this work intends to analyze how this concept is formalized in both compositions, taking into account the common thematic matter, the difference between their genres and the language adopted in each production.
dc.languagepor
dc.publisherUniv Estadual Paulista-unesp
dc.relationItinerarios-revista De Literatura
dc.sourceWeb of Science
dc.subjectMaximilian Kolbe
dc.subjectmartyr oF charity
dc.subjectThe birds of the night
dc.subjectWitness
dc.titleMaximilian Kolbe on the stage: the problematics of witness in Maximilian Kolbe: martyr of charity and The birds of the night
dc.typeArtículos de revistas


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