dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-04T15:23:57Z
dc.date.accessioned2022-12-19T18:16:34Z
dc.date.available2019-10-04T15:23:57Z
dc.date.available2022-12-19T18:16:34Z
dc.date.created2019-10-04T15:23:57Z
dc.date.issued2019-03-01
dc.identifierUrdimento-revista De Estudos Em Artes Cenicas. Florianopolis: Univ Estado Santa Catarina-udesc, v. 1, n. 34, p. 236-245, 2019.
dc.identifier1414-5731
dc.identifierhttp://hdl.handle.net/11449/186266
dc.identifier10.5965/1414573101342019236
dc.identifierWOS:000467044100017
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5367308
dc.description.abstractIn Brazil, in recent years, bills based on the movement school without a party have been created and discussed in legislative houses to promote neutral education in schools and to ban any content that addresses political-party positions. However, these proposals are biased in their attempts to prohibit conversations on politics. Something that can be considered impossible, since politics is present in all our collective relations, including in schools. In this article, we observe political aspects intrinsic to school and theatrical doing. Based on Ranciere's studies on politics.
dc.languagepor
dc.publisherUniv Estado Santa Catarina-udesc
dc.relationUrdimento-revista De Estudos Em Artes Cenicas
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectPolitics
dc.subjectschool without party
dc.subjectTheater of the Oppressed
dc.titleTheater in school with or without a party will always be political
dc.typeArtículos de revistas


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