GAY SUBJECTIVITY IN ANTONIO BOTTO'S POETRY

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-04T12:30:54Z
dc.date.accessioned2022-12-19T18:00:22Z
dc.date.available2019-10-04T12:30:54Z
dc.date.available2022-12-19T18:00:22Z
dc.date.created2019-10-04T12:30:54Z
dc.date.issued2018-06-01
dc.identifierVia Atlantica. Sao Paulo: Univ Sao Paulo, Fac Filosofia Letras & Ciencias Humanas, v. 33, p. 151-169, 2018.
dc.identifier1516-5159
dc.identifierhttp://hdl.handle.net/11449/184880
dc.identifierWOS:000445913400009
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5365933
dc.description.abstractBy seeking to understand Antonio Botto's absence in the canon of Portuguese lyric poetry of the 20th Century, this paper proposes some reflections on the aesthetic aspects of his work. In addition to this objective, we also intend to discuss the bond created between Aestheticism and Decadentism in his dramatic poetry - which causes tension with humanism or literary vitalism - in order to better express gay subjectivity and form a queer identity.
dc.languagepor
dc.publisherUniv Sao Paulo, Fac Filosofia Letras & Ciencias Humanas
dc.relationVia Atlantica
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectAntonio Botto
dc.subjectportuguese poetry
dc.subjectdramatic poetry
dc.subjectgay subjectivity
dc.subjectqueer identity
dc.titleGAY SUBJECTIVITY IN ANTONIO BOTTO'S POETRY
dc.typeArtículos de revistas


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