dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-04T12:14:41Z
dc.date.accessioned2022-12-19T17:56:40Z
dc.date.available2019-10-04T12:14:41Z
dc.date.available2022-12-19T17:56:40Z
dc.date.created2019-10-04T12:14:41Z
dc.date.issued2019-01-01
dc.identifierOlho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 11, n. 1, p. 78-100, 2019.
dc.identifier2177-3807
dc.identifierhttp://hdl.handle.net/11449/184577
dc.identifierWOS:000475991300006
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5365631
dc.description.abstractThis paper seeks to reflect on the representation of the North American slavery system in literature and cinema. Even at the time of the system's validity, slave narratives emerge as a way of disclosing the individual stories of slaves, as well as of building a collective identity that would come to be called African-American. However, shortly after the abolition of slavery, such narratives disappear. It is interesting here to understand the trajectory of the representation of the Afro-American after this period, contemplated from the perspective of cultural trauma. We use as a guiding line 12 Years of Slavery, from the time of production of the book, until the release of the film. We are based on authors such as Kellner (2001), Eyerman (2001; 2011) and Gates Jr. (2014), among others.
dc.languagepor
dc.publisherUniv Estadual Paulista, Fundacao Editora Unesp
dc.relationOlho D Agua
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subject12 Years a Slave
dc.subjectCultural trauma
dc.subjectSlave narrative
dc.subjectSlavery
dc.subjectSteve McQueen
dc.titleCultural Trauma of Slavery: Reflections in Literature and Cinema
dc.typeArtículos de revistas


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