The Free Spirit and the Nietzsche's Consciousness Concept Criticism Related to the Understanding of the World in Clarice Lispector's oeuvre

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-04T11:56:31Z
dc.date.accessioned2022-12-19T17:53:23Z
dc.date.available2019-10-04T11:56:31Z
dc.date.available2022-12-19T17:53:23Z
dc.date.created2019-10-04T11:56:31Z
dc.date.issued2018-07-01
dc.identifierOlho D Agua. Sao Paulo: Univ Estadual Paulista, Fundacao Editora Unesp, v. 10, n. 2, p. 41-54, 2018.
dc.identifier2177-3807
dc.identifierhttp://hdl.handle.net/11449/184305
dc.identifierWOS:000457262500004
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5365360
dc.description.abstractThroughout her short stories and novels, Clarice Lispector presents characters living and acting, as a whole, in a way that composes what Benedito Nunes identifies as a peculiar understanding of the world. The aim of this paper is to make a connection between this Lispector's understanding of the world with some of Nietzsche's philosophical concepts. Whereas, with concepts like free spirit, as well as the consciousness criticism, from which the philosopher suggests a reestablishment of the instinct, it is expressed in philosophy an impossibility that Lispector will perform in literature.
dc.languagepor
dc.publisherUniv Estadual Paulista, Fundacao Editora Unesp
dc.relationOlho D Agua
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectConsciousness
dc.subjectDrive
dc.subjectFree Spirit
dc.subjectLispector
dc.subjectNietzsche
dc.titleThe Free Spirit and the Nietzsche's Consciousness Concept Criticism Related to the Understanding of the World in Clarice Lispector's oeuvre
dc.typeArtículos de revistas


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