The Portuguese post-revolution imaginary

dc.contributorUniversidade Estadual Paulista (Unesp)
dc.date.accessioned2019-10-03T18:18:16Z
dc.date.accessioned2022-12-19T17:48:34Z
dc.date.available2019-10-03T18:18:16Z
dc.date.available2022-12-19T17:48:34Z
dc.date.created2019-10-03T18:18:16Z
dc.date.issued2014-01-01
dc.identifierRevista De Letras. Araraquara: Univ Estadual Paulista-unesp, v. 54, n. 1, p. 25-49, 2014.
dc.identifier0101-3505
dc.identifierhttp://hdl.handle.net/11449/183901
dc.identifierWOS:000209923500003
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5364957
dc.description.abstractAnalysis of the dictatorial Portuguese period (1926-1974) in the fiction of Cardoso Pires, taking into account the mythological-symbolic deconstruction done by this author. In this sense, we'll cover the problematization of space undertaken by the author as well as the study of symbolism and social imaginary, before and after the revolution on 25 April 1974, especially in two works: Balada da Praia dos (Cies e Alexandra Alpha. We'll continue this study with a reflection on the duality historical time-time of narrative in both works, doing a parallel with a work of a Portuguese author which, in order to discuss the recent Portuguese past, also employs this same duality: Casas Pardas, by Maria Velho da Costa.
dc.languagepor
dc.publisherUniv Estadual Paulista-unesp
dc.relationRevista De Letras
dc.rightsAcesso restrito
dc.sourceWeb of Science
dc.subjectPortuguese Revolution
dc.subjectLiterature
dc.subjectImaginary
dc.subjectSymbols
dc.subjectNeorealist novel
dc.titleThe Portuguese post-revolution imaginary
dc.typeArtículos de revistas


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