A apropriação por Gerald Thomas das obras de Marcel Duchamp

dc.contributorTorres Neto, Walter Lima
dc.contributorTorres Neto, Walter Lima
dc.contributorScheffler, Ismael
dc.contributorLandal, Simone
dc.creatorAmaral, Gina Mara Age do
dc.date.accessioned2020-11-20T18:31:09Z
dc.date.accessioned2022-12-06T15:07:32Z
dc.date.available2020-11-20T18:31:09Z
dc.date.available2022-12-06T15:07:32Z
dc.date.created2020-11-20T18:31:09Z
dc.date.issued2014-12-15
dc.identifierAMARAL, Gina Mara Age do. A apropriação por Gerald Thomas das obras de Marcel Duchamp. 2015. 20 f. Trabalho de Conclusão de Curso (Especialização em Cenografia) -Universidade Tecnológica Federal do Paraná, Curitiba, 2015.
dc.identifierhttp://repositorio.utfpr.edu.br/jspui/handle/1/17186
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/5261168
dc.description.abstractThe purpose of the present article is to understand the appropriation made by Gerald Thomas, a Brazilian theater director, of the works of Marcel Duchamp, focusing The Bicycle Wheel (1913). Thomas uses it on the creation of the play Carmem Com Filtro 2.5 (1986), by the procedures of artistic fragmentation, with great attention to details and plasticity of his work, also leaving highlighted the style (of appropriation) adopted by him. Thus, it will be studied how the play was made and as it relates to the proper objects.
dc.publisherUniversidade Tecnológica Federal do Paraná
dc.publisherCuritiba
dc.publisherBrasil
dc.publisherEspecialização em Cenografia
dc.publisherUTFPR
dc.rightsopenAccess
dc.subjectApropriação (Arte)
dc.subjectThomas, Gerald, 1954-
dc.subjectDuchamp, Marcel, 1887-1968
dc.subjectCríticos de teatro
dc.subjectAppropriation (Art)
dc.subjectTheater critics
dc.titleA apropriação por Gerald Thomas das obras de Marcel Duchamp
dc.typespecializationThesis


Este ítem pertenece a la siguiente institución