A dramaturgia no pós-dramático: procedimentos de criação de Pina Bausch e Denise Stoklos

Abstract

The present research proposes a reflection on the poetics of post-dramatic theater conceived by the german Hans Thies Lehmann. Through a theoretical approach, list a few actor/dancer procedures in Pina Bausch and Denise Stoklos's dramaturgy, in order to stablish the relation between the post-dramatic poetic and the concept of body dramaturgy. Such analysis aims to present Lehmann's poetic procedure that can be perceived in the work of these artists, highlighting the dramaturgy that focus on the body, in the artist presence and in the nonlinear narrative.