El tango en la obra de Daniel Moyano: exilio y memoria histórica
Tango in the work of Daniel Moyano: exile and historical memory
| dc.creator | Deffis, Emilia | |
| dc.date | 2015-11-24T16:29:55Z | |
| dc.date | 2015-11-24T16:29:55Z | |
| dc.date | 2015-11-24T16:29:55Z | |
| dc.date.accessioned | 2022-11-17T00:24:11Z | |
| dc.date.available | 2022-11-17T00:24:11Z | |
| dc.identifier | 1315-9435 | |
| dc.identifier | http://www.saber.ula.ve/handle/123456789/41152 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/5209387 | |
| dc.description | La presencia de la música en la obra narrativa de Daniel Moyano (Buenos Aires, 1930-1992) ha sido señalada tempranamente por la crítica. La sonoridad de la lengua materna, única capaz de rescatar al exiliado de su postración psicológica, se asocia en los relatos de Moyano a tonadas y melodías, tocadas en instrumentos, tarareadas o silbadas, que lo reinsertan en su lugar natal, consolándolo. El objetivo de este trabajo es analizar los alcances que dicha presencia sonora tiene en la obra del riojano, ––quien fuera violinista de la orquesta sinfónica provincial––, en su elaboración literaria, a partir de la evocación musical, de una cosmovisión del país que pudo haber sido y no fue. | |
| dc.description | The presence of music in the narrative work of Daniel Moyano (Buenos Aires, 1930-1992) has been early identified by the critics. The sonority of the mother tongue, the only language capable of rescuing the exiled of his psychological prostration, is associated in the Moyano’s stories with tunes and melodies played on instruments, hummed or whistled, that reinserts him to his birthplace and confort him. The objective of this study is to analyze the scope of such sound presence in the work of the riojan, -- former violinist at the provincial Symphony Orchestra --, in his literary production, from the musical evocation, of a worldview of the country that could have been and was not. | |
| dc.description | 51-66 | |
| dc.description | deffis@lit.ulaval.ca | |
| dc.description | Anual | |
| dc.format | application/pdf | |
| dc.publisher | Venezuela | |
| dc.rights | info:eu-repo/semantics/openAccess | |
| dc.rights | http://creativecommons.org/licenses/by-nc-sa/3.0/ve/ | |
| dc.subject | Moyano | |
| dc.subject | Memoria | |
| dc.subject | Exilio | |
| dc.subject | Música | |
| dc.subject | Núcleo Táchira (NUTULA) | |
| dc.subject | Grupo de Investigación en Literatura Latinoamericana y del Caribe | |
| dc.subject | Universidad de Los Andes | |
| dc.subject | Moyano | |
| dc.subject | Memory | |
| dc.subject | Exile | |
| dc.subject | Music | |
| dc.subject | Postgrado en Literatura Latinoamericana y del Caribe | |
| dc.subject | Contexto | |
| dc.subject | Contexto: Dossier | |
| dc.subject | Artes y Humanidades | |
| dc.subject | Revistas | |
| dc.title | El tango en la obra de Daniel Moyano: exilio y memoria histórica | |
| dc.title | Tango in the work of Daniel Moyano: exile and historical memory | |
| dc.type | info:eu-repo/semantics/article | |
| dc.type | Texto |