Hitchcock y Antonioni: Dos estilos autorales a través de La ventana indiscreta (1954) y Blow up (1966)
dc.creator | Ortiz, Daniela | |
dc.date | 2012-10-19T18:08:11Z | |
dc.date | 2012-10-19T18:08:11Z | |
dc.date | 2012-10-19 | |
dc.date.accessioned | 2022-10-28T00:50:51Z | |
dc.date.available | 2022-10-28T00:50:51Z | |
dc.identifier | http://hdl.handle.net/10872/1923 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4936531 | |
dc.description | No poseé | |
dc.language | es | |
dc.relation | H 2008;O77 | |
dc.subject | Análisis fílmico | |
dc.subject | Análisis cinematográfico | |
dc.subject | Elementos | |
dc.subject | Cine de autor | |
dc.subject | La ventana indiscreta de Alfred Hitchcock, y Blow up de Michelangelo Antonioni | |
dc.subject | Entorno | |
dc.subject | Vida | |
dc.subject | Directores | |
dc.title | Hitchcock y Antonioni: Dos estilos autorales a través de La ventana indiscreta (1954) y Blow up (1966) | |
dc.type | bachelorThesis |