Selección, estudio y ejecución de obras de guitarra sola para la interpretación del concierto de graduación en la especialidad de instrucción musical

Abstract

In the execution of the classical guitar there is a myriad of possibilities for the conformation of repertoires according to the needs of each performer, however, in this work we face the need to create a repertoire that allows the performer to work and carry out the execution of several instrumental techniques necessary for the training of any guitarist. The present study is based fundamentally on the musical analysis and execution of five works that make up the repertoire of the graduation concert in the career of Musical Instruction, these works are selected with the purpose of showing the birth of the modern classical guitar and its diffusion by Latin America. At the same time the repertoire is applied to technical development, which focuses on the analysis of the execution techniques used in each of the works, in order to understand the mechanics necessary for its interpretation. Due to this, this work seeks to satisfy the need for the conformation of a solid repertoire, which allows the performer to demonstrate their abilities with the guitar. The repertoire is made up of the following works:  La catedral – Agustín Barrios Mangoré  Recuerdos de la alhambra – Francisco Tárrega  Preludio criollo – Rodrigo Riera  Canta cuando me ausente – Marco T. Hidrobo  La bicicleta – Vicente E. Sojo