| dc.contributor | Donoso López, Clarita del Rocío | |
| dc.creator | Cedillo Zarumeño, Christian Israel | |
| dc.creator | Chaca Quizhpi, Freddy Leonardo | |
| dc.date.accessioned | 2021-07-08T20:38:48Z | |
| dc.date.accessioned | 2022-10-21T00:53:17Z | |
| dc.date.available | 2021-07-08T20:38:48Z | |
| dc.date.available | 2022-10-21T00:53:17Z | |
| dc.date.created | 2021-07-08T20:38:48Z | |
| dc.date.issued | 2021-07-07 | |
| dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/36441 | |
| dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4627435 | |
| dc.description.abstract | The following work focuses on an analysis of the spatiality of this work to
understand the transformation of the old cathedral museum into a scenic space,
being an exploration tool within a process creative dance-theater and thus identify
and analyze the unconventional space that was used in this choreographic
composition, providing a contrast in every way to the viewer. These essential
points will be developed by carrying out a historical and aesthetic
contextualization, understanding the relationships between dance-theater with
new spaces. At the same time, the true source of inspiration that Clara Donoso
had in her work as a performer / creator. | |
| dc.language | spa | |
| dc.publisher | Universidad de Cuenca | |
| dc.relation | TAE;55 | |
| dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
| dc.rights | openAccess | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | |
| dc.subject | Artes Escénicas | |
| dc.subject | Teatro | |
| dc.subject | Danza | |
| dc.subject | Iglesia | |
| dc.subject | Museo | |
| dc.title | Análisis de la espacialidad no convencional en la obra “Hoy no hay nada nuevo que contar aquí” de Clara Donoso, presentada en la Catedral Vieja de Cuenca-Ecuador | |
| dc.type | bachelorThesis | |
