dc.contributor | Ortiz Mosquera, Fidel Ernesto | |
dc.creator | Montalván Delgado, Edison Daniel | |
dc.date.accessioned | 2022-07-05T15:10:06Z | |
dc.date.accessioned | 2022-10-21T00:02:53Z | |
dc.date.available | 2022-07-05T15:10:06Z | |
dc.date.available | 2022-10-21T00:02:53Z | |
dc.date.created | 2022-07-05T15:10:06Z | |
dc.date.issued | 2022-07-01 | |
dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/39290 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4621537 | |
dc.description.abstract | This research addresses the study and analysis of the Cuenca contemporary
theatrical aesthetic as a main subject that emerges from three main roots:
historical, artistic discourse and aesthetic conditioning factors, that has opened
a broad panorama of aesthetic forms that determined the social praxis of
Cuenca ́s scene, that has developed from the second half of the XX century. In
this sense, emerges the idea to show the history of scenic art as the “Tres olas
del teatro cuencano”, which work as a catalyst of several aesthetics forms of the
local scene, they have their own artistic manifestations that response to their
context and their expression through diverse characteristics, conditioning
factors and discourse of the theatrical authors. | |
dc.language | spa | |
dc.relation | TM4AV;177 | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | openAccess | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | |
dc.subject | Teatro cuencano | |
dc.subject | Arte escénico | |
dc.title | Análisis de la estética del Teatro Cuencano Contemporáneo y la necesidad de una práctica crítica teatral | |
dc.type | masterThesis | |