dc.contributorOrtiz Mosquera, Fidel Ernesto
dc.creatorMontalván Delgado, Edison Daniel
dc.date.accessioned2022-07-05T15:10:06Z
dc.date.accessioned2022-10-21T00:02:53Z
dc.date.available2022-07-05T15:10:06Z
dc.date.available2022-10-21T00:02:53Z
dc.date.created2022-07-05T15:10:06Z
dc.date.issued2022-07-01
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/39290
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4621537
dc.description.abstractThis research addresses the study and analysis of the Cuenca contemporary theatrical aesthetic as a main subject that emerges from three main roots: historical, artistic discourse and aesthetic conditioning factors, that has opened a broad panorama of aesthetic forms that determined the social praxis of Cuenca ́s scene, that has developed from the second half of the XX century. In this sense, emerges the idea to show the history of scenic art as the “Tres olas del teatro cuencano”, which work as a catalyst of several aesthetics forms of the local scene, they have their own artistic manifestations that response to their context and their expression through diverse characteristics, conditioning factors and discourse of the theatrical authors.
dc.languagespa
dc.relationTM4AV;177
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectTeatro cuencano
dc.subjectArte escénico
dc.titleAnálisis de la estética del Teatro Cuencano Contemporáneo y la necesidad de una práctica crítica teatral
dc.typemasterThesis


Este ítem pertenece a la siguiente institución