| dc.description.abstract | From the research/stage creation work developed in the Scenic Creation Laboratory I, II and
III chairs – taught in the Scenic Arts career of the Faculty of Arts of the University of Cuenca
– a proposal for choreographic composition and installation was developed. , in which several
technical, methodological and procedural perspectives based on the author's personal life
experience were intertwined; and framed in some principles of the Anthropological Theater of
Eugenio Barba and the Movement Analysis of Rudolf Von Laban. The perspective on the body
–as a creative agent and bearer of discourses– was based on the self-exploration of technical
knowledge, as a body prepared to be a sensitive manifestive instrument in a space-time. The
development of this research was proposed to answer the question: How the concept of organic
body of Eugenio Barba and the concept of organic movement of Rudolf von Laban allow to
build a corporality for the creation of the character in the exercise of scenic composition
Liminal Woman? This body awareness allowed the creation of an extra-daily body, understood
as an organic state of the same, ready for the scenic action that, in addition, produces a clear
liminal perspective: a bodily presence - as a transformation of femininity and the sensitive
experience of the author – from memory, and its multiple edges, to build an active dialogue
between body and technical knowledge, in the creation of a device that vivifies body memory,
within a body-object visual framework, made possible also thanks to the aestheticmethodological relationship with the paper material, as a carrier and container of meanings,
decanted likewise in a scenographic device. The final result was presented digitally motivated
by the effects of COVID-19, therefore, the creative research experienced from the convivio,
entered the virtual system or tecnovivio for reasons of the new social context. | |
