dc.contributorGonzález Orellana, Víctor Lenin
dc.creatorCalle Ordoñez, Wilson Andrés
dc.date.accessioned2022-06-30T20:15:56Z
dc.date.accessioned2022-10-20T23:16:16Z
dc.date.available2022-06-30T20:15:56Z
dc.date.available2022-10-20T23:16:16Z
dc.date.created2022-06-30T20:15:56Z
dc.date.issued2022-06-22
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/39275
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4616134
dc.description.abstractThe present bachelor of titulation will presents the accomplishment of five adjustments of pasacalles elaborated originally for piano and voice, to quartet of guitar, these pasacalles selected are: "Ambato tierra de flores", "Chulla quiteño", "Chola cuencana", "Soy del Carchi" and "Guayaquileño, madera de guerrero", it should be noted that each of these parades is an emblem within their city since in their lyrics they exemplify the best of each city. At the same time, the historical context of each work will be discussed and its musical technical aspects will be discussed. In the end, it will be exemplified with an arrangement, all the musical techniques that were used to elaborate them.
dc.languagespa
dc.relationTMUS;190
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectMúsica
dc.subjectMúsica clásica
dc.subjectPasacalles ecuatorianos
dc.subjectGuitarra
dc.titleElaboración de cinco arreglos de pasacalles ecuatorianos para cuarteto de guitarra clásica: montaje cameral
dc.typebachelorThesis


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