Defensa a ultranza de la balada hispanoamericana

dc.creatorMoya Mendez, Misael
dc.date.accessioned2021-11-05T21:02:03Z
dc.date.accessioned2022-10-20T22:49:32Z
dc.date.available2021-11-05T21:02:03Z
dc.date.available2022-10-20T22:49:32Z
dc.date.created2021-11-05T21:02:03Z
dc.date.issued2001
dc.identifier0047-1542, e 1997-6720
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/37293
dc.identifierhttp://islas.uclv.edu.cu/index.php/islas/article/view/687
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4613070
dc.description.abstractThe article systematizes a group of elements that make it possible to defend the values ​​contained in the Latin American ballad, as a form of mass art with diffusion between the sixties and eighties of the twentieth century, in a context defined by a frequent rejection of the academy to the study of these forms of artistic production that, paradoxically, typify cultural contexts and determine notions, behaviors and practices.
dc.languagees_ES
dc.sourceISLAS
dc.subjectBalada
dc.subjectCanción ligera
dc.subjectMúsica
dc.subjectHistoria de la balada
dc.subjectBalada en lengua española
dc.titleDefensa a ultranza de la balada hispanoamericana
dc.typeARTÍCULO


Este ítem pertenece a la siguiente institución