dc.contributor | Alvarado Granda, Pablo Olmedo | |
dc.creator | León Quizhpe, Paúl Andrés | |
dc.date.accessioned | 2020-11-20T14:26:57Z | |
dc.date.accessioned | 2022-10-20T22:20:05Z | |
dc.date.available | 2020-11-20T14:26:57Z | |
dc.date.available | 2022-10-20T22:20:05Z | |
dc.date.created | 2020-11-20T14:26:57Z | |
dc.date.issued | 2020-11-11 | |
dc.identifier | http://dspace.ucuenca.edu.ec/handle/123456789/35045 | |
dc.identifier.uri | https://repositorioslatinoamericanos.uchile.cl/handle/2250/4609632 | |
dc.description.abstract | The present project of titulation is focused in the muralism and like thematic of the same the Mask like identity of the Ecuador. With this, the use and meaning of each of these pieces in the course of the history of our country and the current value that gives it is made known. The mural painting is the support or means by which a message, reflection and interpretation can be transmitted to all public without age restriction. Processes of anthropological research and analysis are necessary to monopolize the construction of sketches that group a colorful and lucid composition suitable for a public space in the city of Cuenca. | |
dc.language | spa | |
dc.publisher | Universidad de Cuenca | |
dc.relation | TAV;370 | |
dc.rights | http://creativecommons.org/licenses/by-nc-nd/4.0/ | |
dc.rights | openAccess | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | |
dc.subject | Artes Visuales | |
dc.subject | Pintura mural | |
dc.subject | Arte urbano | |
dc.subject | Antropología cultural | |
dc.title | El muro como soporte narrativo la máscara como identidad del Ecuador | |
dc.type | bachelorThesis | |