dc.contributorAbad Vidal, Julio César
dc.creatorCooper Pesántez, Harry Stephen
dc.date.accessioned2015-07-31T15:57:40Z
dc.date.accessioned2022-10-20T22:18:21Z
dc.date.available2015-07-31T15:57:40Z
dc.date.available2022-10-20T22:18:21Z
dc.date.created2015-07-31T15:57:40Z
dc.date.issued2015
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/22476
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4609432
dc.description.abstractClearly man is unable to keep his attention on two objects simultaneously. If he’d trying he’d ended with his view on one or none of the objects. From a photographic field when employing the use of the split screen, two frames in one screen. It is necessary and important to guide the viewer's attention from one side to the other at key moments of each frame. Thus, it is possible to send as much information as possible to the public. Since there is no extensive information about split screen. The guidance of visual attention in the split screen discusses photographic techniques used in films that are close to guiding the attention of the viewer. Consequently displaying nine specific techniques: the law of thirds, one-point perspective, selective focus and point to point, contrast or affinity of tones, the foreground, middle ground and background, types of camera shots, composition, downtime between frames and inter-frame action. Finally it’s talk about the results and how each technique was used or adapted en every of the short film Stereo, from the pre-production and the filming.
dc.languagespa
dc.relationTCA;31
dc.subjectPantalla Dividida
dc.subjectTecnicas Fotograficas
dc.subjectCortometraje
dc.subjectAtencion Visual
dc.titleManejo de la atención visual en una pantalla dividida del cortometraje stereo
dc.typebachelorThesis


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