dc.contributorBaretta Jiménez, Ariadna
dc.creatorCastro Zaruma, Paúl Armando
dc.date.accessioned2021-06-14T17:36:45Z
dc.date.accessioned2022-10-20T22:09:24Z
dc.date.available2021-06-14T17:36:45Z
dc.date.available2022-10-20T22:09:24Z
dc.date.created2021-06-14T17:36:45Z
dc.date.issued2021-01-25
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/36358
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4608386
dc.description.abstractThe research begins with a collection of historical information about the Andean migration to the south of the Morona Santiago province, specifically on the sector called Indanza (Which is currently under cultural and identity stress due to the ancestral demands of the Ecuadorian Amazon and Andean). The main purpose for this research is to help visualize possible images of Indanza and its identification processes, which have a possible relationship to the inhabited space being the main means of interrelation of the Petroglyphs of the Catazho. Thus, based on historical references of the place as the field of mestizaje and creolization of theoretical authors, it has made a plethora of information available towards the identification processes of the Indanza community. In this way, in regards to finalizing the investigation, drawings are used as the main visual representation of the consolidation of the Indanza image, by the use of portraits that are derived from the graph of the petroglyph as a means of relation; in addition, the use of fabric patterns is presented as the final representation of the elements of ancestral Andean influence.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.relationTAV;387
dc.rightshttp://creativecommons.org/licenses/by-nc-nd/4.0/
dc.rightsopenAccess
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional
dc.subjectArtes Visuales
dc.subjectMigración
dc.subjectPetroglifos
dc.subjectAmazonía ecuatoriana
dc.subjectCantón Limón Indanza
dc.titleIndanza: entorno e identidad de tensión
dc.typebachelorThesis


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