Aproximación a la actividad musical en las parroquias eclesiásticas urbanas de la diócesis de Cuenca, entre 1779 y 1886

dc.contributorFreire Soria, Carlos Gonzalo
dc.creatorAlbarracín Albarracín, Sonia Nataly
dc.date.accessioned2016-04-22T16:36:24Z
dc.date.accessioned2022-10-20T21:08:49Z
dc.date.available2016-04-22T16:36:24Z
dc.date.available2022-10-20T21:08:49Z
dc.date.created2016-04-22T16:36:24Z
dc.date.issued2016-04-22
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/24370
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4601321
dc.description.abstractThis research addresses the field of religious music that developed in the city of Cuenca, Ecuador, between 1779-1886, the year of the death of the eminent composer Miguel Cuenca Morocho. It addresses, as background, knowledge of musical activity in this city from its foundation. This paper focuses on the description of the musical activity of the choirmasters, choristers, organists, instrumentalists and singers of the Matrix, San Sebastian, San Blas and San Roque, church parishes of Cuenca urban church and delves into historical, labor and family of the protagonists. It includes, as the culmination, the analysis of two religious works of that composer Miguel Morocho
dc.languagespa
dc.relationTM4MUS;89
dc.subjectMúsica
dc.subjectParroquia El Sagrario
dc.subjectCantón Cuenca
dc.subjectCompositor
dc.titleAproximación a la actividad musical en las parroquias eclesiásticas urbanas de la diócesis de Cuenca, entre 1779 y 1886
dc.typemasterThesis


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