dc.creatorHidalgo García, David
dc.creatorSantiago Zaragoza, Juan Manuel
dc.creatorArco Díaz, Julián
dc.date.accessioned2017-06-20T18:31:48Z
dc.date.accessioned2022-10-20T20:14:17Z
dc.date.available2017-06-20T18:31:48Z
dc.date.available2022-10-20T20:14:17Z
dc.date.created2017-06-20T18:31:48Z
dc.date.issued2015-07
dc.identifier1390-9274
dc.identifierhttp://dspace.ucuenca.edu.ec/handle/123456789/27638
dc.identifier10.18537
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4595142
dc.description.abstractLeonardo da Vinci (1452-1519) personifies the ideal humanist of the universal knowledge. He is also considered to be as one of the Renaissance geniuses and artists. His most known dimension is that of a painter, although to a lesser extent he contributed excellently to the fields of architecture, urban morphology and rehabilitation. His greatest study within the urban studies is his cittá idéale where he exposes his idea of a new city breaking with the traditional urban models. This one presents similarities with that of the utopic city of Icaria, described by the writer Étienne Cabet (1788-1856), in his novel titled Voyage en Icarie and published in Paris in1840. The current article describes the actual resemblances between both proposals, published in different worlds with a difference of 355 years and with only a connection which is the city of Paris.
dc.languagespa
dc.publisherUniversidad de Cuenca
dc.subjectMorfologia Urbana
dc.subjectParis
dc.subjectRenacimiento
dc.subjectUtopia
dc.subjectLeonardo Da Vinci
dc.titleDesarrollos urbanos paralelos: Leonardo Da Vinci – Étienne Cabet
dc.typeArticle


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