dc.creatorAlimenti Bel, Demian
dc.date2018-06
dc.date.accessioned2022-10-16T23:04:07Z
dc.date.available2022-10-16T23:04:07Z
dc.identifierhttps://digital.cic.gba.gob.ar/handle/11746/10496
dc.identifierRecurso online
dc.identifier.urihttps://repositorioslatinoamericanos.uchile.cl/handle/2250/4414114
dc.descriptionIn a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.
dc.formatapplication/pdf
dc.languageInglés
dc.rightshttp://creativecommons.org/licenses/by/4.0/
dc.subjectArte
dc.subjectMusic
dc.subjectStyle
dc.subjectSound
dc.subjectMovement
dc.subjectEmbodied
dc.subjectTroilo
dc.subjectPugliese
dc.titleBetween Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango


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